The History of the History of the Yi, Part II

The People’s Republic of China (PRC) is, according to its constitution, “a unified country of diverse nationalities” (tongyide duominzu guojia; see Wang Guodong, 1982: 9). The degree to which this admirable political ideal has actually been respected has varied throughout the history of the PRC: taken seriously in the early and mid-1950s, it was systematically ignored during the twenty years of High Socialism from the late 1950s to the early 1980s and then revived again with the Opening and Reform policies of the past two decades (Heberer, 1989: 23-29). The presence of minority “autonomous” territories, preferential policies in school admissions, and birth quotas (Sautman, 1998) and the extraordinary emphasis on developing “socialist” versions of minority visual and performing arts (Litzinger, 2000; Schein, 2000; Oakes, 1998) all testify to serious attention to multinationalism in the cultural and administrative realms, even if minority culture is promoted in a homogenized socialist version and even if everybody knows that “autonomous” territories are far less autonomous, for example, than an American state or a Swiss canton. But although the party state now preaches multinationalism and allows limited expression of ethnonational autonomy, it also preaches and promotes progress—and thus runs straight into a paradox: progress is defined in objectivist, modernist terms, which relegate minority cultures to a more