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Since its publication, Franz Rosenzweig's magnum opus, The Star of Redemption , has remained a challenge to its readers and a source of wildly conflicting interpretations. It should be a matter of great consternation to Rosenzweig's readers that, shortly after his publication of the Star , he came to identify the work with common sense. This article traces the emergence of common sense within Rosenzweig's thought and undertakes a critical analysis of his use of the term. In contrast to other efforts to address this topic, I argue that Rosenzweig's belated appeal to common sense is a useful heuristic tool for understanding his account of God, the divine-human relationship, and the power and limits of theological language in the Star .
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Cass Fisher (2016) studied this question.
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