Los primeros viajes de Mercedes Sosa por el Cono Sur: esencialismo, rupturismo y conexiones musicales entre Argentina, Uruguay y Chile (1962-1976)

December 1, 2025Revista musical chilenaOpen Access

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Key Points

This research aims to examine the musical and cultural exchanges within the Southern Cone during the years 1962 to 1976, focusing on Mercedes Sosa's contributions.
Analyzed historical recordings and performances by Mercedes Sosa
Conducted interviews with music scholars
Explored archival materials from Argentina, Uruguay, and Chile
Identified key musical influences shared among Argentina, Uruguay, and Chile
Highlighted the role of essentialism and rupture in the artistic expressions of the time
Established connections between Sosa's early works and the broader socio-political context of the Southern Cone

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This analysis explores musical connections between Argentina, Uruguay, and Chile from 1962 to 1976, highlighting cultural impacts and shifts.

Southern Cone: essentialism, rupture, and musical connections between

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Javiera Muñoz-Retamal (2025) studied this question.

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