Creative narrative explores youthful antics through penny bombing, highlighting socioeconomic tensions among townsfolk.
for Bogats and KniznerLoping our way down potholed streetsof this company town, huckingall the news we can wrap in red gumbands,a rash of dinged-up storm doors flaringas our canvas sacks grow empty.Ink-stained and sweaty,we meet at the meat market’s stoop,our 10¢ Fudgsicles dribbling while we grumbleover the laid-off paying in change,their pennies making our Mellon Bankmoneybags sag and jingle.As remedy, one of us palms a handful, eyeingthe striped steel awnings of this avenue’s gray-hairs,sounds of Gunsmoke blazing across their TVsjust before our zinc lands like a thunderclap,scaring the sparrows and jazzing uswith the thrill of a getaway, our lank bodiesscattering through jagger-bushed backyards,the mutts we zig past, chainedand yowling at our trespass.Though we hadn’t counted our on troublefalling deaf on the ears of those pensioners,hard of hearing from a lifetime of mill work,it’s too bad we never thoughtof doubling back in the thinning light,if only to catch a glimpse of them,sweeping their pine-needled walkwaysbefore crouching on a cranky knee,gathering fallen tenderthat brings their shallow pocketsto rattle with our slag.
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Fred Shaw (2026) studied this question.
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