Article analyzes timbre and texture in Jakhongir Shukur's composition, highlighting their role in musical language.
This article focuses on the chamber-instrumental composition “Color” by Jakhongir Shukur, analyzed from the perspective of timbre and texture as key categories of musical language influencing the semantic and formative principles of s
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Kutluchurina Alina Alfredovna (2026) studied this question.
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