Answers are grounded in this paper and cite their sources.
This article provides creative solutions for online world music pedagogy that were developed in response to the widespread need for digital education during the Covid-19 pandemic. Innovations in the synchronous presentation of online music courses and performances influenced the authors to collaborate on ways to create space for interaction between students and musicians who share their music and experiences as cultural experts. This approach led to the development of the World Music Guest Artist Series, which allows for experiential learning and intercultural exchange through live-streamed performances and interviews with musicians in various global genres and locations. In mapping out the process, experiences, and benefits of our partnership for educators, students, and musicians, we ultimately intend to showcase our model to higher music educators that endeavor to foster experiential learning and intercultural dialogue in their classrooms through collaboration with cultural mediators, whether in a virtual or in-person learning environment.
No takes yet. Share an insight, caveat, or question.
Youngblood et al. (2023) studied this question.
Synapse has enriched 5 related papers. Consider them for comparative context: