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This research investigates the unity of traditional Chinese arts through a Daoist philosophical perspective.

The Philosophical-Aesthetic Thought of Ancient China on the Unity of Arts: A Daoist Perspective

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Randomized trial explores the unity of various Chinese art forms, indicating a deep Daoist influence.

This research investigates the unity of traditional Chinese arts through a Daoist philosophical perspective.
Philosophical-aesthetic analysis of Daoist and Confucian texts
Comparison of aesthetic categories across music, poetry, painting, and calligraphy
Comprehensive analysis of interconnection and isomorphism in different art forms
Identified five key Daoist aesthetic categories: emptiness, non-action, naturalness, gentleness, and simplicity.
Demonstrated the internal consistency and syncretism of Chinese artistic expression through Daoist principles.
Established the unique position of Chinese art within the global cultural landscape.

Ziqian Shao (2026) studied this question.

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