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The article analyzes the meanings embedded in street art in Florence that portrays women, likely created by female artists. Between 18 May and 27 May 2024, during the Communities and Artistic Participation in Hybrid Environment (CAPHE) project, we observed a significant number of feminist street art pieces in Florence’s historic center. Using qualitative content analysis based on Gillian Rose’s methodology (2016), we interpreted the collected visual materials through semiotic and socio-cultural lenses. The findings revealed the deliberately interventionist nature of the analyzed works, addressing themes such as gender inequality, human rights, violence against women, and cultural stereotypes. This street art serves as a social manifesto and a means of activating both the local community and tourists, aligning with global feminist discourse while addressing Florence’s local issues. We conclude that Florence’s street art provides a space for visual resistance, education, and the promotion of gender equality and women’s emancipation in the context of contemporary social challenges.
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Cywiński et al. (2025) studied this question.
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