This article engages in a close comparative reading of the creation of a “Latino” artist identity by two Swedish artists – Fredrik FreddeRico Ekelund and Rodrigo Rodde Bernal. By focusing on the theoretical concept of white Swedish masculin- ity, it aims to deepen the understanding of how such identities are created within and against the background of specific historical contexts and locations.
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Susan Lindholm (2015) studied this question.
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