This paper outlines a normative/philosophical theory of evolutionary aesthetics, one that differs substantially from existing explanatory/psychological theories, such as Dutton’s. This evolutionary theory is based on Carlson’s scientific cognitivism, but differs in that it is based on evolutionary rather than ecological theory. After offering a short account of Carlson’s theory, I distinguish it from a normative evolutionary aesthetics. I then explore an historically important normative/philosophical theory of the aesthetics of nature that is consistent with Darwin’s theory of natural selection; namely, the theory of the picturesque. Finally, after summarizing Nietzsche’s early theory of tragedy, I discuss how some of his ideas might be incorporated into an evolutionary aesthetics.
No takes yet. Share an insight, caveat, or question.
Roger Paden (2015) studied this question.
Synapse has enriched 5 related papers. Consider them for comparative context: