This paper sets out to investigate how and why Indonesian contemporary artists invoke the materiality of post-consumer waste as an art medium. To do so, I look back on the history of environmental art and the found object in Indonesia, and the exhibitions and practices of artists and critics contemporary to that history.
No takes yet. Share an insight, caveat, or question.
Elly Kent (2020) studied this question.
Synapse has enriched one closely related paper. Consider it for comparative context: