This entry explores queerbaiting and fandom dynamics surrounding K-pop's Blackpink, highlighting LGBTQ visibility implications.
This entry discusses the global queerbaiting and queer fannish discourses surrounding the K-pop girl band Blackpink. I examine some key moments in the music group’s tantalization of female same-sex intimacies and its global fans’ queer reading practices. My analysis shows that while queerbaiting encourages a global queering of the female idols, the contextual specificities of contemporary global K-pop industry facilitate a particular kind of queer fantasies that simultaneously contributes to a global LGBTQ visibility and the social policing of its idols’ (hetero-)sexual innocence and desirability.
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Jamie J. Zhao (2021) studied this question.
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