Though working-class literatures poorly fit within the theoretical purview of contemporary literary studies, the absence of scholarship in the Canadian context is particularly acute. Neoliberal readings thrive at the expense of labour-focused readings, with the possible result of insulating against the desired change such readings wish to bring into being. Because Chris Pannell’s poetry is so focused on work, its representations and spiritual qualities amidst a particular post-industrial location (Hamilton, Ontario), it makes for poetry well suited my goal: to create an ambidextrous reading method. In this article, I summarize the work done to date in Canadian literary studies on both labour and neoliberalism. Due to the relatively thin literature in CanLit available over the past few decades, I bring in Lukács and some American literary scholars (Jameson, Christopher and Whitson, Clarke) to round out what a working-class literature might be theorized as, and read as, in Canada while also keeping in view how critiques of neoliberalism are inadequate to the task of serving the working-class. To recalibrate Canadian literary studies, I bring forward Marx’s ideas concerning surplus value and alienation as they pertain to the production of poetry. While acknowledging the contributions of critiques of neoliberalism in Canadian literature, I critique those readings as rooted in Marx.
Shane Neilson (Mon,) studied this question.