A Study of “Division Consciousness” as Manifested in Joseonjok Poetry since the 2000s

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Key Points

This research explores how division consciousness is symbolically represented in Joseonjok poetry since the 2000s.
Analysis of poetry published in 'Yanbian Literature' from 2000 to 2024.
Examination of three levels: visible boundaries, everyday objects, and spaces of absence.
Application of Walter Benjamin's concepts of allegory and melancholy as analytical frameworks.
Divided experiences are allegorically embodied through sensory and material representations.
Everyday objects reveal asymmetric belonging in daily life under division.
Poetic imagery maintains open-ended meanings without resolving the narrative of division.

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Analyzes division consciousness in Joseonjok poetry through allegorical imagery, indicating cultural identity complexities.

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Eun Ju Jeon (2026) studied this question.

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