Visual essay explores how Trebello's material system fosters creativity and connection in education, suggesting new forms of interaction.
As artists and educators, our practice is situated in a shared territory between the studio and the classroom. We design materials for children that bring into educational contexts ways of doing and thinking rooted in artistic creative processes, understanding design not as the production of objects but as the configuration of conditions for action. From this perspective, we conceive art as an aesthetic, ethical and political process capable of opening new ways of being and coexisting. Within this framework, Trebello is presented as an open-ended material system that unfolds through play and collective making, without prescribing uses or outcomes. This visual essay seeks to think with Trebello rather than explain it. Through a sequence of images and brief reflections, it explores how minimal decisions of form, connection and repetition set in motion a field of possibilities in which actions, relationships and forms remain in continuous becoming.
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Mosquera et al. (2026) studied this question.
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