Essay examines hauntology's influence on horror cinema, revealing the past's persistence in narrative.
This essay examines Joel Anderson's 2008 film "Lake Mungo" through the lens of Jacques Derrida's concept of hauntology. Though Derrida's theory centers around the specter of Marxism on modern capitalist societies, the idea of a persistence of the past lends itself well to horror cinema.
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Ande Thomas (2021) studied this question.
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