Restorative Design Perception and User Satisfaction in Concert Hall Architecture: The Serial Mediating Roles of Flow Experience and Musical Resonance

With the continuous deepening of green building concepts and the sustained advancement of research on health-oriented design, increasing attention has been paid to the impact of architectural space on users’ psychological perception and behavioral outcomes. In China, the rapid development of urban cultural facilities and the growing emphasis on high-quality public cultural spaces have made concert halls an important context for examining how architectural environments shape user experience. In recent years, relevant studies have gradually expanded from energy conservation, function, and technical performance evaluation to discussion of the subjective experience of the architectural environment and its psychological effects. As a typical type of cultural building, the concert hall is an important place for music communication and artistic experience, and its spatial environment may also influence users’ state of immersion and emotional resonance. However, existing studies mostly focus on the acoustic quality, visual characteristics, and functional organization of concert halls, and still lack a systematic empirical explanation of how restorative design influences user satisfaction through psychological mechanisms. Using survey data from 972 users of six representative concert halls in six Chinese cities, this study constructs a theoretical model with perceived restorative design as the independent variable, flow experience and musical resonance as mediating variables, and user satisfaction as the dependent variable, aiming to broaden the understanding of the internal mechanism through which restorative design affects user satisfaction. The results show that: (1) perceived restorative design is positively associated with user satisfaction; (2) flow experience and musical resonance respectively play mediating roles between perceived restorative design and user satisfaction; and (3) flow experience and musical resonance respectively play a chain mediating role between perceived restorative design and user satisfaction. This study enriches the applied research on restorative design in the field of cultural architecture, reveals the psychological path through which restorative design in concert halls affects user satisfaction, and expands the theoretical boundaries of research on architectural environment experience. The conclusions provide a theoretical basis for optimizing the design of concert hall buildings and improving user experience, and also offer practical insights for the human-centered and high-quality development of cultural buildings in the context of green building.