Historical analysis reveals the changing role of images in medical knowledge across different eras, highlighting their epistemological significance.
This paper examines how image language has participated in the production of medical knowledge across three historically distinct phases: the pre-disciplinary period, in which representations of the body were embedded within broader artistic traditions; the institutionalization of medical art as an applied discipline, marked by Max Brödel's establishment of the first professional training program at Johns Hopkins University in 1911 and the founding of the Association of Medical Illustrators (AMI) in 1945; and the contemporary era of medical visualization, driven by digital technology and interactive simulation. Drawing on Lorraine Daston and Peter Galison's historical analysis of scientific objectivity and W.J.T. Mitchell's theory of the pictorial turn, the paper argues that the history of medical imagery is not a linear narrative of technological progress but a continuous reconstruction of the relationship between images and medical knowledge. The fundamental transformation across these three phases is not one of medium but of epistemological status: from image as artistic by-product, to image as disciplinary tool, to image as active participant in knowledge production.
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Shuang Liang (2026) studied this question.
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