The present artistic research explores methods for expanding form in jazz composition, using the analysis of selected big band scores by contemporary composers Vince Mendoza and Miho Hazama as case studies. Aiming at overcoming common challenges when writing beyond conventional theme- and-variation structures, the study method combines critical reflective analysis, composer speculative thinking and practical compositional application. In the first part, this research examines and extracts concrete compositional strategies from the selected scores, with a focus on melodic, harmonic, rhythmic and thematic material, and their role in shaping musical form. In the second part the strategies are implemented in the compositional process, in an attempt to arrange and compose in more extended forms, and to treat formal structures in a more flexible way. Beyond showing in detail specific tools, this research proposes a model to transform reflective analysis of scores into creative tools, offering composers a structured and adaptable approach to develop innovative solutions for form development in contemporary jazz contexts and, potentially, to overcome their specific creative roadblocks in other compositional areas relevant to their own artistic practice. keywords: Analysis, Arranging, Big Band, Case Study, Contemporary Jazz, Jazz, Jazz Composition, Vince Mendoza, Miho Hazama, Extended Musical Form
Daniel Sueiro Martinez-Collado (Tue,) studied this question.