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Mixed-media collaboration illustrates climate crisis impacts through visual, poetic, and philosophical engagement, suggesting new ways to think.
How does the climate crisis bump up against the limits of our knowledge? This mixed-media triptych is an experimental collaboration between a philosopher and a sociologist. Part 1, a three-panel visual extinction collage, exposes the discontinuities of geological time across three Anthropocene landscapes composed of Holocene fragments. Part 2, a collaborative erasure poem, cuts into well-known “man in the wilderness” writings through a queer feminist practice of erosive counterwriting. Part 3, a dialogue, engages philosophical and practical questions about the epistemic limits that constrain thinking about extinction and climate. Taken together, this three-part collaboration models experimental practices whose genre-bending approach to planetary crisis aims to stimulate new thoughts, new affects, and new modes of engagement.
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Angelo et al. (2026) studied this question.
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