This article examines how ostrich imagery fosters resilience in early modern synagogue decor, suggesting localized responses to existential anxiety.
This article examines the imaginative adaptability of synagogue decor as a means of fostering communal resilience. Focusing on ostrich imagery in three early modern synagogues from the Polish-Lithuanian Commonwealth and the German lands, the article argues that this motif suggests localized responses to existential anxiety. In one synagogue, an ostrich gazing at three eggs evokes shared Judeo-Christian associations between the eye and divine providence, mutual responsibility, and moral insight. In two others, ostriches bearing mysterious objects reference the Shamir – a mythical creature said to have aided in the construction of the Temple – thereby symbolizing miraculous redemption. These distinct yet interrelated visual programs reveal how communities embedded myth, longing, and psychological fortitude into the very structures that framed their ritual and spiritual lives.
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Zvi Orgad (2025) studied this question.
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