This article examines how creative methods reveal fluid masculinities in postdigital youth, suggesting new insights.
This article explores how masculinity assemblages are composed within postdigital youth landscapes where gender is in a state of epistemic crisis and the digital is assumed to operate primarily as a coercive force. Building on queer and feminist posthuman praxis, we conceptualize the postdigital through Laura Marks’ information fold alongside Celia Lury’s notion of platformization and problem space where we share a compositional methodology that treats methods as generative practices that surface and transform problems in their becoming. Our analysis draws on three arts-informed projects with children and young people (ages 9–18) that used talking, writing, drawing, poetry, sculpting and film. We get creative with manipulation as man-i-pulation across three information folds: an altright ‘algo-rhythm’, a government hashtag campaign and feminist instapoetry. Together, they explore how masculinities are unstable, pliable, multiply entangled and always in motion. We go on to show how such data, re-created in moments of connection with multiple audiences, can come to resonate as posthuman participants beyond the fieldwork encounter. Postdigital information folds, animated through creative praxis, open resource-full spaces for unpredictability, invention, and transformation.
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Renold et al. (2026) studied this question.
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