This article explores transformations of the creational body narrative in Zoroastrian texts, highlighting theological adaptations.
This article explores the evolution of the “creational body” motif in Iranian mythology, focusing on its transformation within Zoroastrian theological contexts. Drawing on Indo-European and Indo-Iranian cosmogonic narratives, the article examines two primary representations: Gayōmard, the human prototype, and āsrō-kirb , an enigmatic body described as the “form of fire”. While the original Indo-Iranian myths often portray the creation of the cosmos through the sacrificial dismemberment of a primordial being, Zoroastrian texts adapt this narrative to align with their dualistic theology. The dismemberment of Gayōmard is attributed to Ahriman and his demonic forces, dissociating Ohrmazd and the Beneficent Immortals from acts of violence. By contrast, āsrō-kirb ’s narrative presents an abstract, faceless body dismembered by Ohrmazd, whose act is sanitized of its grotesque sacrificial elements. Through textual analysis of Pahlavi sources, this article investigates the theological motivations behind these alterations, highlighting how Zoroastrian priests sought to reconcile inherited cosmogonic myths with their ethical and doctrinal imperatives. The findings reveal a dual adjustment: the reinterpretation of Gayōmard’s narrative to condemn Ahriman, and the abstraction of āsrō-kirb to obscure its violent origins, while maintaining its creational function. These adaptations underscore the dynamic interplay between inherited mythology and evolving theological frameworks in the Zoroastrian tradition.
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Mohamad Bayani (2026) studied this question.
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