Holy, Blasted Landscapes: A Critique of Biblical Orientalism in Two Contemporary Artworks

This article examines how two recent artworks by Jewish Israeli artists— Paleosol 80 South by Amir Yatziv and Jonathan Doweck (2013), and Ella Littwitz’s Qasr al-Yahud project (2021)—critically engage with the legacy of biblical orientalism and its connection to ongoing colonial and ecological violence in Palestine/Israel. Focusing on biblical sites located in militarized border areas, both artworks self-reflectively invoke the orientalist tropes of wilderness and frontier, alongside typical genres of Western Holy Land literature. Simultaneously, they confront the present-day destruction of these sites through state violence, which turns the orientalist cliché into a reality. The article analyzes the contrasting registers of signification applied to the landscape—scriptural, military, and ecological—and explores how the artworks dramatize the tension between them. In doing so, they expose the mechanisms of power that shape the landscape and trace the marginalized histories that endure in their shadow.