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Essay explores how a song referencing Jaka Tingkir reshapes historical narratives and cultural practices among religious leaders.
As Nancy K. Florida stated in Writing the Past, Inscribing the Future: History as Prophecy in Colonial Java , in the more dominant historical traditions, Jaka Tingkir is recalled as the founder of the Central Javanese kingdom of Pajang, an ascetic, an exile, and a brave warrior. Well‐known from chronicles such as babad texts and other storytelling genres, the figure of Jaka Tingkir has inspired artists to reinterpret his appearance and role in their own creations. In this essay, I discuss an early twenty‐first‐century song that, in part due to its reference to Jaka Tingkir, became wildly popular and extremely controversial. Focusing on dialogic encounters (a key concept in Florida's work), I explore how, in their responses to this song, religious leaders not only reiterated historical narratives and cultural practices but also put these into new contexts, creating new pasts while envisioning future aspirations.
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