Rebetiko and Critical Pedagogy in Greek Music Education

Rebetiko, as a musical genre, has a very limited presence in Greek school music education, potentially due to its historical association with social marginalization. This paper describes the development and implementation of the educational project “A Journey to Rebetiko,” conducted by students of the Department of Music Studies at the Ionian University in six high schools in Corfu during the 2023–2024 academic year. The project, with a duration of two academic hours, featured a short musical drama performance, an open discussion between university and high school students, and a set of collaborative group music activities. The primary objective of this research was to investigate how adolescents and university students engaged with rebetiko and how the genre facilitated discussions on issues of social justice, poverty, xenophobia, and refugeeism. Adopting a qualitative methodology, the study was framed by the principles of critical pedagogy, which guided the project’s scope, the dialogue-based activities (focusing on solidarity, democracy, and active citizenship), and the collaborative group work. Data collection was based on: (a) students’ reflective diaries, (b) the researcher’s reflective journal, and (c) an analysis of original song lyrics composed by the students. The research contributes to the ongoing dialogue on whether rebetiko can offer a transformative musical experience for today’s youth and explores how critical pedagogy can foster a more relevant, inclusive, and student-centred music education.