Playing, making, and learning are increasingly understood in arts education and the wider social sciences as overlapping rather than distinct. This resonates with new materialist philosophies applied in a visual arts context, which present the material encounter as a means of accessing information about the world, positioning it as a form of pedagogy. “The sculpture kit,” a collection of six materials (developed collaboratively with a young child and then tested with larger groups of adults and children) responds to this condition. In this article, I present the kit as a method to facilitate experiences of “entangled making,” acknowledging materials’ pedagogical role in observing exchanges of knowledge between children and adults, materials, and humans.
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E. C. G. Barrett (2026) studied this question.
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