This exploratory article is based on interviews and focus groups with prisoners reflecting on the benefits of engaging in creative arts‐based activities. Desistance theorists emphasise the importance of judgments based on individual personal impressions, feelings and opinions in offenders’ co‐production and ownership of their desistance narratives. The data presented here are used to illustrate the positive changes in offenders’ subjective understandings and to highlight the appropriateness of using more nuanced research designs to provide evidence of effectiveness of engagement with arts‐based projects.
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Katherine Albertson (2015) studied this question.
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