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Community-led Galleries, Libraries, Archives and Museums (GLAM) institutions have long played a crucial but understudied role in Australia’s cultural landscape. Operating outside major state structures, they emerge from the initiatives of diasporic, migrant and other culturally specific communities to document, interpret and maintain their own histories, practices and identities. These organisations function not only as receptacles of community material culture and knowledge but also as active sites of cultural production and labour, where communities negotiate, perform and transform themselves. Their work often extends across transnational networks, linking local experiences to broader global movements of people, memory and cultural authority. At the same time, they navigate complex relationships with state institutions, funding bodies and public expectations, revealing tensions between official narratives and community-driven forms of heritage. In this forum on ‘culture-specific museums’, we present three attempts to grapple with these institutions and the work they have performed in Australia since the 1950s.
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Rey et al. (2026) studied this question.
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