Shows new configurations influence music composition, suggesting novel analytical approaches.
The tonnetz, which is commonly represented as a tessellation of the plane by a triangular network of tones, can also be represented as a bipartite graph of degree three with twelve vertices denoting major triads and twelve vertices denoting minor triads. We show that this Levi graph can be realized geometrically as a system of twelve points and twelve lines in R2 with the property that three points lie on each line and three lines pass through each point, in a configuration {123} of Daublebsky von Sterneck type D222. This tonnetz configuration, alongside various generalizations thereof, can be used as a new basis for the composition and analysis of music.
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Boland et al. (2026) studied this question.
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