Performances as a Curatorial Model: A Review of Le Musée Vivant de la Mode

Marco Pecorari

doi:10.1080/1362704x.2026.2696157

July 27, 2026Fashion Theory

Performances as a Curatorial Model: A Review of Le Musée Vivant de la Mode

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Key Points

The aim is to explore how daily performances reshape the understanding of collections in fashion museums.
Review of Olivier Saillard's daily performances at Le Musée Vivant de la Mode
Analysis of collaborative aspects between performance and exhibition
Evaluation of audience interaction with curated content
Revealed innovative connections between fashion items and artistic performance
Highlighted the evolving role of audience in the exhibition experience
Demonstrated potential for performances to enhance curatorial practices in fashion museums

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Implication

Review analyzes daily performances questioning collections in fashion museums, implying new curatorial approaches.

Abstract

Olivier Saillard’s Le Musée Vivant de la Mode consisted of a series of daily performances that questioned what we collect and exhibit in fashion museums, consolidating all performances previously d...

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Marco Pecorari (2026) studied this question.

synapsesocial.com/papers/6a69a2d4c8da07d9defa6c53 https://doi.org/10.1080/1362704x.2026.2696157

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Performances as a Curatorial Model: A Review of Le Musée Vivant de la Mode

Key Points

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Discussion

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Performances as a Curatorial Model: A Review of Le Musée Vivant de la Mode

Key Points

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Implication

Abstract

Discussion

Cite This Study

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