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HIS COMPREHENSIVE BOOK does not only present trajectories and themes in world popular music as promised in the title. It also examines the fundamental tenets of recent scholarship on popular music. This review investigates the book within the context of these recent trends, consisting of a set of shifts in terminology and focus such as from 'world music' to 'world /global popular music' and from musical identities in culture to musical identities in capitalism, respectively.
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Ali C. Gedik (2022) studied this question.
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