Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture

DescriptionContentsResourcesCoursesAbout the Authors Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nänie, Gesang der Parzen, and the Vier ernste Gesänge reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hölderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture. Brahms's literary preoccupations and incorporates much information gleaned from the composer's library, to establish his cultural context the philosophical dimensions of Brahms's music and will appeal to those interested in the intersection of music and philosophy significant amount of source material is translated into English for the first time which will benefit those interested in the cultural context of Brahms's music but are unable to read the original German texts