(Un)covering ground: dance, space and mobility

Ballet and modern dance teachers often exhort students to ‘travel across the floor’ and ‘cover ground’. These instructions invoke metaphors of travel and mobility that capture an array of common assumptions about dance, space and movement. This essay examines the spatial and mobility discourses that these instructions simultaneously build upon and produce while exploring the seductiveness of technique's promise of mastering space through the moving body. Threading auto-ethnography with critical theory and moving across different disciplinary fields and writing styles, the article explores the ways in which these instructions leak outside the perimeter of the dance studio to feed into the narrative of a dancer's extended physical, geographical and social mobility. Analysing the mobility and travel discourses of dance training vis-à-vis poststructuralist theorisations of the subaltern power of the nomad and theories of space and place, it is argued that this narrative becomes complicit in the construction of an idealised notion of artistic nomadism, which, in turn, aligns with current neoliberal logics organised around the production of mobile subjects.