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Drawing on a recent case study from Singapore, this essay examines how devising can be expanded beyond notions of “improvisational” and “fixed” into a more emergent, speculative practice that embodies both singular and collective forms of creative performance, and suggests ways in which practitioners may blur the boundaries between being-with as a lived approach to devising, and intercultural performance as a crucial contemporary set of skills for everyday life.
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Anne Harris (2023) studied this question.
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