Comparative study examines identity impacts of minoritized languages in popular music, suggesting circulation and genre matter most.
A comparative study of popular music in Welsh, Yi, Breton, and te reo Māori, based on thirteen published sources. It argues that a language's position within a work, its genre's history, and who controls circulation matter more to identity than the sheer amount of minoritized-language text.
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Jiaxin Li (2026) studied this question.
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