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This paper presents a mathematical framework for embedding pitch-class spaces into higher cardinality ambient temperaments, providing a systematic method for exploring microtonal tuning systems. By treating canonical tunings as group homomorphisms φ:Zn→Zm, where m = kn, and introducing the concept of tuning spaces τ(n,m), we formalize the process of “lifting” pitch-class spaces into larger temperaments while preserving their intervallic relationships within reasonable boundaries. The framework supports transformations of tunings through shift, translation, and rotation operators, leading to an equivalence relation that identifies structurally analogous tunings. To further structure the study of tunings, we define categories of tuning spaces T(n), where objects are tuning spaces and morphisms correspond to group homomorphisms between ambient temperaments. Functors between these categories provide a conceptual bridge for exploring relationships between tuning spaces over different pitch-class bases. The compositional implications are significant: this framework enables composers to access the harmonic resources of microtonal systems while retaining the structural intuitions of familiar pitch-class spaces like Z12.
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Drew Flieder (2025) studied this question.
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