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Through an analysis of public discourse surrounding two different controversies featuring professional race car driver, Deborah Renshaw, this article foregrounds contemporary relationships between gender and (auto)mobility. It draws on both theories of gender performativity and media ecology to outline the ways in which the automobile as a technology influences gender performance and the ways in which the automobile is understood through cultural discourses that are already largely gendered. The essay uses the discourse surrounding the Renshaw case to problematize both contemporary gender norms and understandings of the relationship between prosthetic media and the body.
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John M. Sloop (2005) studied this question.
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