Museums dedicated to migration and migration-processing facilities have proliferated around the world in recent times.The purpose of this paper is to explore how these institutions, through their communicative practices on social media, are shaping contemporary narratives about border control, national identity and global politics.The paper examines two of the most notorious examples of what Walters calls the 'border control museum complex', namely Berlin's Wall Museum at Check Point Charlie and New York's Ellis Island National Museum of Immigration.Through a netnographical analysis of these museums' Facebook official accounts, the paper shows how their communicative practices construct a liberal vision of border crossings as sites of freedom and opportunity, glossing over the exclusionary features of borders and border control.
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Ruben Zaiotti (2023) studied this question.