The cash tips that audience members offer to singers are a central part of the informal performances of popular songs held daily in public spaces of Wuhan, China. The singing, plus various forms of attention and material offerings, temporarily raise performers' moral status over audience members, inspiring reciprocal obligations that are neutralized by the giving of cash. By understanding the money as gifts rather than as part of transactions I explore the interpersonal dimensions of economic dealings around the music. Reciprocal obligations, rather than notions of collective belonging, are the main focal point for social meaning here.
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Samuel Horlor (2019) studied this question.
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