Qualitative ethnographic study reveals how textile artefacts shape lived aesthetic experiences in infants and young children, highlighting aesthetics as a vital principle for early education.
This article investigates how cultural artefacts enable the constitution of aesthetic encounters for young children, including infants, within Brazilian early childhood education centres (ECEC). Grounded in cultural-historical psychology and ethnography in education, the study examines the role of such artefacts in children’s cultural development. Perezhivanie , a Russian term that may be broadly understood as ‘lived experiences’, is adopted as the unit of analysis, enabling an understanding of young children’s cultural development in a dialectical relationship with the materiality of ECEC. Through contrastive and microgenetic analyses of play interactions in two Brazilian cities, the study reveals the historicity of children’s aesthetic perezhivaniya , their relationship with imagination, the centrality of bodily engagement, and the processes through which the social environment of the ECEC becomes a social situation of development. The findings underscore the political and pedagogical implications of how educational spaces are materially organised, arguing for aesthetics as a guiding principle that values experimentation, contemplation, curiosity, and co-constructed meaning. This perspective challenges dominant educational models by proposing an alternative temporality – one that embraces dialogue, alterity, and cultural production with children.
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Neves et al. (2026) studied this question.
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