Answers are grounded in this paper and cite their sources.
Despite the lack of notated evidence, something can be recovered of the lost song of medieval epic, a foundational musical tradition in late Antiquity and the Middle Ages. Like the chant of the Christian Church, epic has come down to us in a distinctively Carolingian framing. Given the close relationship between liturgical recitation and epic song throughout late Antiquity and the Middle Ages, as well as Charlemagne's own active role in the codification of both Frankish epic and Roman chant, it is possible, as I suggest in conclusion, that these two repertoires resembled each other in significant ways.
No takes yet. Share an insight, caveat, or question.
John Haines (2016) studied this question.
Synapse has enriched 10 related papers. Consider them for comparative context: