Introduction PART I Theory 1. Music as Language 2. Criteria for Analysis I 3. Criteria for Analysis II 4. Bridges to Free Composition 5. Paradigmatic Analysis PART II Analyses 6. Liszt, Orpheus (1853-1854) 7. Brahms, Intermezzo in E Minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872-1879) 8. Mahler, Symphony no. 9/i (1908-1909) 9. Beethoven, String Quartet, op. 130/i (1825-1826), and Stravinsky, Symphonies of Wind Instruments (1920) Epilogue Bibliography Index
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