Qualitative film analysis reveals how indigenous communication reflects power dynamics and protest in Yoruba cinema, highlighting the role of language in cultural resistance and governance.
In the Yorùbá cultural worldview, Ogun, Ògùn, and the Ológun (war, charm, and warrior) embody the complex relationships among authority, spirituality, and resistance. This study examines the interplay of power dynamics, protest, and communicative strategies in Femi Adebayo's Jagun Jagun Citation(2023) and Kunle Afolayan's Anikulapo Citation(2022). Guided by Howard Giles' Communication Accommodation Theory (CAT), the study employs qualitative film analysis, observation methods, and interviews to highlight the significance of indigenous language as a medium of cultural continuity, resistance, and identity formation, demonstrating CAT's continuing relevance for understanding intra- and intergroup communication, cultural identity, and good governance within indigenous African contexts.
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Sanni et al. (2026) studied this question.
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