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Legal analysis reveals tensions between artistic expression and regulatory statutes in Indian cinema, highlighting the necessity of proportionate, constitutionally grounded restrictions.
Freedom of speech and expression is a fundamental right guaranteed under Article 19(1)(a) of the Constitution of India and forms an essential foundation of a democratic society. Cinematographic films are an important medium of expression, entertainment, education, and social awareness, and therefore their regulation raises significant constitutional concerns. This paper critically examines the relationship between freedom of expression and state regulation in the context of cinematographic censorship in India. It analyses the constitutional restrictions under Article 19(2), particularly the grounds of decency and morality, public order, security of the State, defamation, and incitement to an offence. The study also examines the role and powers of the Central Board of Film Certification (CBFC) under the Cinematograph Act, 1952, along with the changes introduced through the Cinematograph (Amendment) Act, 2023 and the Cinematograph (Certification) Rules, 2024. Further, the paper discusses important judicial decisions concerning film censorship and artistic freedom, including K.A. Abbas v. Union of India, Rangarajan v. P. Jagjivan Ram, Bobby Art International v. Om Pal Singh Hoon, and other significant cases. The analysis highlights the need to maintain a balance between artistic freedom and legitimate public interests. It concludes that restrictions on cinematic expression must be reasonable, proportionate, non-arbitrary, and firmly grounded in constitutionally permissible limitations, while respecting the audience's right to make informed choices.
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Manisha P. Agarwal (2026) studied this question.
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