Interdisciplinary analysis reveals how computational models alter literary hermeneutics and audience perception in theatrical adaptations, highlighting shifts in digital narrative experiences.
Revised version of an interdisciplinary research article examining the relationship between neuroaesthetics, artificial intelligence, deep learning, hermeneutics, digital performance, narrative, authorship, and aesthetic experience. The study uses Shakespeare’s Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead as comparative theatrical and literary cases. This version has been substantially revised and prepared for journal submission.
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Moeini et al. (2026) studied this question.
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