Case study demonstrates the emergence of independent union organizing among cultural producers, highlighting novel collective strategies to resist systemic precarity in post-socialist contexts.
The article explores how new subjects and organisational forms arise in the arts in response to systemic precarisation in post-socialist countries exacerbated by the wholesale arrival of neoliberalism. Focusing on the Art Workers’ Union, an organisation founded by the authors in Lithuania in 2023, the case study examines how a new collective subject, the ‘art worker’, formed during COVID-19 to deindividuate the struggle against precarity. It also shows how a new organisational form – the first independent labour union for art workers in the post-socialist Baltics – was instituted to respond to systemic precarity and legitimise art work as labour. This process is identified as ‘collectivising otherwise’: instantiating collective imaginaries distinct from precarising structures in the arts.
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Bagdziunaite et al. (2026) studied this question.
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