Literary analysis reveals a shift from economic abstraction to human recognition in Gaskell’s North and South, highlighting the ethical transformation of industrial terminology.
This article examines the semantic and symbolic functions of the word “hands” in Elizabeth Gaskell’s North and South (1855). While the term denotes factory workers within industrial vocabulary, Gaskell utilizes its multiple meanings to question embedded assumptions in industrial discourse. Through a close reading of hands in key scenes featuring Thornton, Margaret, and Higgins, the study argues that the novel stages a gradual movement from categorization to recognition. Established perception initially presents hands as anonymous units of production, yet the narrative disrupts this abstraction by emphasizing personal experience and individual identity through hands. Particular attention is on the relationship between Thornton’s understanding of work and his changing perception of the hands he employs. As social divisions are negotiated through conversation and symbolic contact of hands, the term hands acquires ethical and human significance beyond its economic usage. The article demonstrates that Gaskell transforms a conventional industrial designation of hands into a means for exploring individuality, mutual regard, and the possibility of human connection across boundaries.
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Ömer Öğünç (2026) studied this question.
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