This article weaves together analyses of three recent books which, despite their being compiled primarily by scholars outside of the discipline of anthropology, make theoretical and methodological contributions useful to the anthropology of festivals and ritual, both religious and secular. These works demonstrate that spectacle has been ritualized into festive practices of modernity and identity in multiple places, times, and cultural contexts. Greater attention to how this works from a general anthropological perspective is needed.
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Ping‐Ann Addo (2009) studied this question.
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