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Literary analysis reveals the portrayal of psychological states in dramatic comedy characters, highlighting the role of non-verbal cues and folk games.
This article analyzes the role of folk games and non-verbal actions (gestures) in depicting the internal psychological state of characters in a literary work. Through the prism of the relationship between the characters of Omirbek and Tawasar Bay, the study explores the peculiarities of the visual and linguopoetic representation of implied meanings, commitments, and negotiation processes within a dramatic context.
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Nargiza Keńesbay qızı Qádirniyazova (2026) studied this question.
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